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Santa Marian Novella is built in the Early Renaissance style.
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4 Both churches also feature a large round dome above the intersection of the cross.ĭespite the similarities, these two architectural marvels represent two different styles. Two rows of supportive columns go along the main axis, ending in a ceremonial chamber. 3 In addition, the architectural layout of both churches is very similar, resembling a cross. 2 The use of volutes as well as triangular and curvilinear tympanums is present in both cases. The main entrance is located at the center, with two additional passages on either side from the central axis. The façades are divided into two sections, with the lower sections featuring pillars decorated in Roman or Greek styles. If we analyze the façade design and the architectural layout of both churches, they would appear to be very similar.
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If we observe and compare the Church of Gesu, constructed in the late 17th century, with Santa Maria Novella (early 14th century) we could see that the latter was built in an effort to recreate the monumental style of the ancient Roman and Greek architecture, whereas the former, while sharing the same monumental purpose, also expressed a powerful theological statement and a symbol of Catholic Counter-reformation. In the majority of cases, architectural choices were motivated by the available technology as well as various socio-political and economic factors. 1 This progression can be observed when comparing Italian structures from different time periods. While art techniques are capable of evolving at a relatively rapid pace, architectural styles are limited by the construction technology available to engineers, architects, and workers. Unlike with other forms of art, where evolution can branch out into different and sometimes bizarre directions, architecture is motivated not solely by the aesthetics, but also by the practicality and purposes of any given structure. The evolution of architectural styles is defined by their tendency for linear progression.